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BadLukArt

All by Hand
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The Japanese Samurai, as I am sure you may know by now, are a people and a culture in which I respect greatly. Then we have a new phenomenon, a phenomenon that is taking over a large section of the cosplay and art community, we all know this phenomenon as Steampunk. We see it everywhere, but in the art community it is but a genre. A genre that not every artist respects, although they accept its essence none the less. I wanted to show others by the construction of this armor that I was trying to achieve something very specific by the creation of it. I want to display to other artists what each piece represents and why I chose to carve the details that I did. I believe that there are certain criteria that give something direction. Art needs boundaries and rules so that it may achieve a certain feel. "Steampunk" in many cases, can be abused. 

What I am trying to say is that I have seen many suits of Steampunk armor which lose certain qualities along the way, what many of them lack is a solid and sound direction. Art is like poetry, there are many forms of poetry. Each form follows a list of rules. Steampunk is like the "free verse" poetry of the art world, there is no rules and there is no specific guidelines. Without direction and boundaries, without rules and guidelines, there is only chaos. Therefore, many artists have difficulty creating direction in the piece itself. It ends up becoming a smorgasbord of trinkets, gears, and fittings. It is suppose to accentuate the "Victorian" element. To me, Victorian stands for classy along with elegant, the curves are both smooth and sleek. It is difficult to grasp that effect when there is so much going on in some cases.

I chose my genre (Steampunk). I chose my direction and spin (Japanese Samurai) Now I will follow traditional guidelines so that I may stay true to myself and stay true to my direction. This way my Artwork can have the ability to follow a genre "and" branch off with in a certain set of perimeters to then become truly unique. I am to follow three types of guidelines in order to reach my overall goal. Use but not abuse the Steampunk genre, stay classy and elegant, stay traditional Japanese. As long as I follow the path that I have created in my mind. It will be another inspirational piece of Artwork.

10 and 12oz multi layered vegetable tanned leather with industrial copper saddle rivets and copper/brass plate are what holds this classy yet unique set of Samurai armor together. Many hours were put into hand tooling the raw leather and hammer forming the copper to appeal to the theme of this armor. A large amount of care and consideration went into every detail of this armor, not only with the intricate tooling but with care, patience, and attention to detail that this theme deserved. The color of this armor had to be very special, so I decided to use 5 individual color dyes with the leather to really bring out depth in each piece. Its almost as if the armor changes colors as it moves. When it stands away from the light, the armor is a crisp dark brown. When in the light, what appears is a combination of light and dark browns over a black night sky with red and gold accented demons and coy fish. These two creatures symbolize the good and evil or the yin hang philosophy. This was one of the fundamental themes of this armor.

My theme for this piece was simple. I would incorporate the spiritual world of a Samurai with the industrial world of Steampunk. Simple right? I thought so to. My waypoint was Traditional Japanese, industrial steampunk age, victorian n classy, good n evil, and all while staying functional and tough. If you will notice, the left side of the armor is covered in fierce ONI ( demons), while the right side of the armor boasts beautiful yet tranquil coy fish. Onyx stones over gear settings peer out from the eyes of each creature. 

I am almost finished, just the right leg, upper arms, rear skirt, and helmet (kabuto) left to complete. After the addition of some final functional mechanics I will debut the finished piece.  

I encourage everyone to check out the details that I carefully and considerately put into the entire suit of armor. Thank you. 



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Before I decide to commit to the conception of a particular suit of armor, I can't help but ask myself  a few different questions. Am I going to stay true to the culture that I wish to portray? How can I create a solitary piece of Art that will represent an entire civilization?  Who and what do I want my artwork to symbolize? These questions remain silent in the back of my mind as I strive to hold on to a strong historical loyalty. I thought long and hard about how I would honor such an accomplished people such as the Greeks. Then I thought to myself about how many Greek civilizations there were, how many Gods they worshiped, and of course the Titans. This endeavor began as a paramount task with the looming question of where to start. It was then where it all became clear. I would break up the entire Greek existence into periods. I would personally interpret each period from the Greek culture and represent it by converting each period into a section of armor.

As I sat at my workbench staring at a large piece of 12oz leather it began to unfold, first I would complete the helm. What better than a Spartan style helmet boasting a large and ornate crystal mane. Then I decided to gift the sword arm with the power of Zeus by creating a gauntlet out of the God Zeus himself. The entire Greek culture to me symbolizes the definition of decadence. The body of this Warrior would be endowed with only a royal Breastplate. Protecting his back stands two golden Trojan horse facing one another in unity. The same two Trojan horse stay united as they decorate the front of the copper bronze shield that protects him. Underneath the stallions is the face of a Spartan warrior carved as an example of how their two fates are intertwined.

Armoring the right shoulder is the God Hates, with an evil red face hungry for whatever awaits. His jaw line is imbedded with crystals as a reminder of evils alluring tongue. Behind the face of Hates is a rear shoulder plate, the center of this plate is home to a widely loved creature known as the Griffin. This beautiful animal has been immortalized through Greek mythology and has spread as far as the Egyptian Empire itself. His left shoulder is dark and beautiful, Thick copper flowers and fur are a constant reminder of the warmth and beauty that Rome can reward.

The skirt is surrounded by hand carved 12oz leather stripping. Alternating dark and light texture give the skirting a pattern that flows, this is to compliment the various transitions throughout the entire piece. Holding the skirting is the waist section of the armor. It has been engraved with (SPQR) the mark of the legion. On the backside of the waist section are the horns of a minotaur. My hope is that the idea of Theseus overcoming the Minotaur will continue to echo in the labyrinth of our own inspirations. The underskirt is stained with the blood from every culture that stood in the way of Greece's expansion. As they paw and grab for dear life this Elite Symbol remains steadfast and unwavering as he deals their final blows.

The almost 1 inch thick leather sheath is etched with a serpent with no head, to restore the ideal of a hero and his triumph over Medusa. Filling this sturdy sheath is a battle warn blade that has defended and murdered its way to glory. Blood, dried to the blade of the sword, this reassures submission to those he passes. The grieve on the right side is red with bronze texture and carved with a Corinthian soldiers pledge. Crosses surround the grieve to demonstrate the Christianization of Rome and its relevance to Corinth during the 6th century.

Draping over the back of this Elite Soldier is a heavy leather cape with two very different sides. The side that is visible for the world to see is a glorious Trojan Horse painted in pearl and embellished with gold. In the eye of this mighty horse is a solitary turquoise stone. Lining the bottom of the cape are soft green gemstones chosen to pick up the green speckle used for the pearl texturing. The backside of the cape is deep red with a Spartan warrior hand painted in black. Why I created the cape this way was that I wanted people to understand that although you may not detect danger, or in fact may even be convinced to think otherwise, it never changes what something is.

Little did I know that when I was originally inspired to create this piece of art to do justice for the Greek culture, that it would almost assemble itself. The only thing I had to be willing to do was begin, as long as my heart was in it, nothing mattered. My work would be my own personal way to display to everyone the passion and respect that I have for each and every culture that I am honored to represent.


Shadow of the Colossus © Team Ico & Sony Computer Entertainment, Inc. All rights reserved.
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